Copyright © 2017 Carolina Lippo. All rights reserved. Website LC StudioWien
IL MATRIMONIO SEGRETO
(role: Carolina)

TEATRO REGIO DI TORINO


Conductor NIKOLAS NAEGELE
Director PIER LUIGI PIZZI
NEWS
Edoardo Piva
Matthias Creutziger
SAUL by G. F. Händel
(role: Merab)

THEATER AN DER WIEN


Conductor LAURENCE CUMMINGS
Director CLAUS GUTH
Theater an der Wien
LE NOZZE DI FIGARO at Semperoper Dresden

"Carolina Lippo was indubitably the absolute standout as Susanna. She managed to use her light lyric soprano voice to such a phenomenal effect.  Everything about her voice was silvery, clear, clean and an absolute joy to listen to. She was technically secure, showing no signs of trouble, no signs of construction and no signs of flaws what so ever. She managed to be an absolutely wonderful singing actress and it was all thanks to her lovely instrument, which she was able to take great advantage of."

Antoni Matteo Garcia
ORESTE at Händel-Festspiele Halle

"Carolina Lippo (soprano) a donné une belle interprétation d'Ifigenia. Dans ce rôle ambigu, elle a mis en lumière le caractère aimant et en même temps la noirceur du personnage, d'une voix claire et pure au timbre très séduisant et au grain fin."
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BAROQUIADES


"The central role of Ifigenia may be less demanding, but the Italian soprano Carolina Lippo brought a wonderful lightness of touch to it with her clarion voice, right from the gentle opening continuo aria Bella calma (from an early Italian cantata) as she first spots Oreste crumpled at the front of the stage. Her two simile arias give a hint of her final siciliano from Siroe Mi lagnerò, tacendo (I silent will bemoan my cruel fate), as she prepares the execution of Oreste, masks the extent of her inner turmoil. Ms. Lippo's controlled elegance was a great asset here"
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OPERA CON BRIO
Barbara Zeininger
STELLA MARIS International Vocal Competition 2018
(Winner of the Jury Award)
Hapag-Lloyd Cruises
HIGHLIGHTS
LA CENERENTOLA at Grange Festival

"Carolina Lippo a une voix très élégante, bien adaptée au belcanto rossinien, et cohérente sur toute la gamme, avec la puissance nécessaire pour dominer les textures d'ensemble quand il le faut."
Marc Everist

"Pero fue Carolina Lippo quién sobresaliò con la mejor voz: redonda, brillante, y excelentemente marcada en squillo."
Agustìn Blanco Bazàn

"The sisters Clorinda and Tisbe, Carolina Lippo and Maria Oustrokhova, were here glamorous, shallow and selfish (as they should be) rather than ugly, casually and offhandedly cruel rather than nasty. Lippo and Oustrokhova both created nicely contrasting personalities, funny and characterful, and both had a deft way with the music, giving us a lovely musical double act."
Robert Hugill

"Carolina Lippo’s Clorinda and Maria Ostroukhova were luxury casting, both singing with lustrous tone and each hilariously differentiated both by costume and attitude."
Melanie Eskenazi
Simon Annand
GREAT MASS IN C MINOR
W. A. Mozart
(role: Soprano I)


DUOMO di MONREALE

Conductor  FEDERICO MARIA SARDELLI
Orchestra Sinfonica Siciliana
Copyright © Duomo di Monreale
W. A. MOZART - COSI' FAN TUTTE
Conductor  KIRILL KARABITS
Director  MARTIN LLOYD-EVANS
LA SCUOLA DE' GELOSI at Teatro Regio in Turin

"Pure l'altro ruolo sopranile della moglie tradita in apparenza, Ernestina, è impersonato con decisione ed eleganza da Carolina Lippo, voce rotonda, buona tenuta del canto in una scritttura altrettanto impegnativa dove Salieri non concede sconti in particolare nel registro acuto."
Alberto Ponti

"Eccellentemente cantata e squisitamente verace la Ernestina di Carolina Lippo. Il soprano mostra un sapiente controllo del proprio strumento nell'aria forse più impervia dell'opera, Staremo in pace e in giubilo, che richiede notevole abilità e agilità aggiungendo il proprio tocco interpretativo con fraseggio e recitazione in maniera incisiva ed elegante."
Margherita Panarelli

"Carolina Lippo è una Ernestina bella, simpatica, fresca e spiritosa che si muove con eleganza sul palco. Un soprano dalla voce generosa con doti attoriali da encomio, mai scontata. Brava!."
Alessandra Giorda

Conductor  GIOVANNI DI STEFANO
Director  RENATO BONAJUTO
LE CONVENIENZE ED INCONVENIENZE TEATRALI 
Cravedi / Verile
IL XERSE by F. Cavalli at 48th Festival della Valle d'Itria
Federico Maria Sardelli, conductor / Leo Muscato, director

"Carolina Lippo chante une Romilda aux aigus pleins et faciles, avec une vraise aisance dans les vocalises ornées de sa partie."- Emmanuel Andrieu

"Evidemment la gentille Romilda a le beau rôle, fidèle, vertueuse, passionnée au point même d'effrayer l'Amour, et Carolina Lippo en fait vibrer tous les aspects avec la virtuosité vocale nécessaire." -
Maurice Salles

"Das Ensemble ist (wie wir es von Sebastian Schwarz aus Wien gewohnt sind) exzellent (und zwar in allen Positionen): zuvörderst natürlich der Countertenor Carlo Vistoli (als Xerse) und Carolina Lippo (als Romilda)." -
Robert Quitta